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Sophie, the girl, is given a spell and transformed into an old woman. It would be a lie to say that turning young again would mean living happily ever after. I didn’t want to say that. I didn’t want to make it seem like turning old was such a bad thing — the idea was that maybe she’ll have learned something by being old for a while, and, when she is actually old, make a better grandma. Anyway, as Sophie gets older, she gets more pep. And she says what’s on her mind. She is transformed from a shy, mousy little girl to a blunt, honest woman. It’s not a motif you see often, and, especially with an old woman taking up the whole screen, it’s a big theatrical risk. But it’s a delusion that being young means you’re happy.

Hayao Miyazaki, on what attracted him to Howl’s Moving Castle

The Auteur of Anime by Margaret Talbot: “The New Yorker” (January 17th, 2005) 

(via m-azing)

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jakemalik:

"hey do you have any cool plans for the break?"

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craicvial:

craiciswhack:

??? shut the fuck up ????

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normal teenagers out here buying brazilian hookers like damn my bad i forgot

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ofbard:

the box says “four servings” but my heart says one

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